{"id":1192,"date":"2019-08-27T13:58:39","date_gmt":"2019-08-27T20:58:39","guid":{"rendered":"https:\/\/musicalmakiko.com\/en\/?p=1192"},"modified":"2019-08-27T14:07:27","modified_gmt":"2019-08-27T21:07:27","slug":"an-example-of-my-regular-day","status":"publish","type":"post","link":"https:\/\/musicalmakiko.com\/en\/life-of-a-pianist\/1192","title":{"rendered":"An example of my regular day"},"content":{"rendered":"\n

It is a rare treat to have nothing on my schedule. Yesterday was one such day! <\/p>\n\n\n\n

I do practice everyday, however crazy my travels get. I’ve practiced on tables at airports. Mental practicing – without moving my fingers – is also useful. Even five minutes can be useful, when I do have access to a piano. But when I am home with no appointments, I get to go back to the basics. I play my scales, and take my time with slow practice, listening to each harmonic progression, voice leading and the long-held chords decaying. My breathing slows down, and my hearing becomes more attuned. I go back to appreciating the physical sensation of playing that I tend to take for granted in goal oriented practicing. It is precious to get to do this once in a while. <\/p>\n\n\n\n

\"\"
This is a photo from 2010, when I was learning the Goldberg Variations for the first time. <\/figcaption><\/figure>\n\n\n\n

I walked for two miles – it was a gorgeous day! I stopped by at the local, and picked out some books for my upcoming travels. I like flying because it forces me to take a break from my smartphone, and just sit\/think\/breath\/be. I read better on the road. I think that’s a bit ironic. <\/p>\n\n\n\n

I have been reading Jane Eyre from my last trip, for the very first time. I cannot believe what transportive power it’s had on me. I so identify with Jane’s resolve for independent thoughts. She is a phenomenal woman. I am also fascinated with how the lives of women in the upper class in the mid-nineteenth century was about contending with boredom and loneliness. And why is it that so many of the protagonists from this time period are orphans? It gives me a better insight into Chopin, Brahms, the Schumanns and the other nineteenth century composers and their music. <\/p>\n\n\n\n

What I like to do on a day like today is to set a timer so that I can balance between the things I love to do. I tend to get so absorbed in whatever it is I am doing. So, I set my timer to twenty minutes, and I read for twenty, practice for twenty, and do my chores for twenty, and do that over and over and over. <\/p>\n\n\n\n

There are always more emails to write. And also things come up in the day. Today, I went over to a nearby church to check out their pianos as a potential venue for recording sessions and future concert. <\/p>\n\n\n\n

And unexpected projects and concert proposals come in the email, and all of the sudden, I am caught up in looking into those. My publicity photos from a shoot I did on my last day in Japan have been processed, after some back and forth about the selection, processing, etc. <\/p>\n\n\n\n

\"\"
Navy blue is not my favorite dress color, especially against a black piano.
But for my “Piano Waterscapes” recital tour, I picked this one up. It fits me \ud83d\ude42
\u00a9Saori Kurihara<\/figcaption><\/figure>\n\n\n\n
\"\"
The shoot took place between my two concert on Sat. Aug. 10th.
The photographer was Saori Kurihara of Hidamari PHOTO for an interview article. <\/figcaption><\/figure>\n\n\n\n
\"\"
The dress looks better with me standing, I think –
but the rug under the pedal, we all failed to notice…
\u00a9Saori Kurihara<\/figcaption><\/figure>\n\n\n\n
\"\"
I wanted to look daring…successful?
\u00a9Saori Kurihara<\/figcaption><\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

It is a rare treat to have nothing on my schedule. Yesterday was one such day! I do practice everyday, however crazy my travels get. I’ve practiced on tables at airports. Mental practicing – without moving my fingers – is also useful. 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