{"id":2550,"date":"2022-01-17T18:50:17","date_gmt":"2022-01-18T02:50:17","guid":{"rendered":"https:\/\/musicalmakiko.com\/en\/?p=2550"},"modified":"2022-01-17T18:50:19","modified_gmt":"2022-01-18T02:50:19","slug":"to-listen-is-to-expect-to-hear-things","status":"publish","type":"post","link":"https:\/\/musicalmakiko.com\/en\/life-of-a-pianist\/2550","title":{"rendered":"To Listen is to Expect to Hear Things"},"content":{"rendered":"\n

This is the English translation of my Japanese article to appear in\u00a0Nikkan San<\/a>\u00a0on January 23rd, 2022, as a part of my bi-weekly column, \u201cThe Way of the Pianist<\/a>.\u201d<\/p>\n\n\n\n

Do you think you hear your own voice? <\/p>\n\n\n\n

“Listen to your own sound!” My childhood piano teacher, Ito-sensei often told me during her lessons. (What does she mean?) I kept wondering. What does it mean to listen to the sound that you are generating? <\/p>\n\n\n\n

“To listen is to expect to hear things” one of my piano teachers in high school told me. I felt like it was clue to Mrs. Ito’s koan. <\/p>\n\n\n\n

When you are really into the music you are playing, or what you are saying, you can’t hear the sound you are expressing through. Inputs and outputs cannot happen at the same time. This is true for computers as well as neurology. To commit to listening is to be one with the sound, to resonate your body and soul immersed in it. And true self-expression is to let your own body and language be highjacked by your inner convictions and passions. The masterly of music may be to balance those two extreme states of being. That may be what Ito-sensei meant by “listen to your own sound!” <\/p>\n\n\n\n

When I practice, I consciously divide these two states. My practice of playing a piece of music is about learning to execute the notation technically, and to explore it as a vehicle to my own interpretations and passions. I play the same passage over and over again to broaden the possibilities of different technical and conceptual approach to the same sets of notes. My practice of listening to a piece of music is to listen to the notation realized in the physical acoustics, as well as to listen to the inner convictions and passions the composer was expressing through the notes. I play things slowly, sometimes playing one chord at a time, giving each a few seconds to listen to its resonance. <\/p>\n\n\n\n

But in real life, the sounds we generate are improvisational, in response to the needs and circumstances of our daily lives and relationships. I now realize how I am much more expressive and not a very good listener. I burst out in laughter, and my exclamations are theatrical, often embarrassing some of my more shy friends. I often speak way faster than my mouth can properly pronounce the words I mean to utter. However, I have grown to admire those who speak with steadiness, in slow and purposeful enunciation. They are the true grownups, expecting to hear the words they utter resonate into the future, I have come to think these days. <\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

To commit to listening is to be one with the sound, to resonate your body and soul immersed in it. And true self-expression is to let your own body and language be highjacked by your inner convictions and passions. 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